In some ways it significantly improves a few of the short comings of the last season, taking a step beyond its own source material, honing a key element of the Morrison-Case run, and turning it into something altogether more fascinating and tragic. Before I get into some key takeaways, let me just assure you that Doom Patrol is still as good as ever. And lucky you, The Beat had the opportunity to take in the first three episodes already (which are all dropping at the same time this coming week, with subsequent individual episodes to follow on a weekly basis). Doom Patrol was the only DC Universe show to make the jump to their shiny new HBO Max service, giving this family of outcasts a whole new audience to work their magic on.Īnd just in time too, because in less than 7 days, the second season of Doom Patrol will be upon us. But for Jeremy Carver and his team to create what turned out to be the perfect tribute to his era of the title… well, to say it’s a dream come true would be understating things. For the longest time, I had been aghast at how practically none of Morrison’s prodigious work had been adapted into live action. The first season of Doom Patrol played as a perfect meld of the Arnold Drake/ Bruno Premiani original concept and the ground-breaking Grant Morrison/ Richard Case run in the late 80’s and early 90’s. After a slightly strained start, Doom Patrol, the second of DC Universe’s original series, quickly established itself not only as the best of the DC Universe crop, but arguably one of the best comic book-based series, period.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |